RE-INTERPRETING MUSIC

Re-Interpreting Music. Mieczysław Tomaszewski’s Kraków School of Music Theory. Studies – Syntheses – Constructs

ed. by Kinga Kiwała

Kraków 2022, objętość: 658 stron, okładka twarda, format: B5, ISBN 978-83-67055-12-3

Zawartość

Foundation

Mieczysław Tomaszewski, Towards Integral Interpretation of the Musical Work

On the Analysis and Interpretation of the Musical Work. Thoughts and Experiences

Introduction – Małgorzata Janicka-Słysz

Dialogue: Tradition & Contemporality. Within the Framework of 20th & 21st Century Polish Music (I)

Małgorzata Janicka-Słysz, Karol Szymanowski. His Music Poetics and Resonance in Generation ’33: Penderecki, Górecki & Bujarski

Ewa Siemdaj, Th e Category of Beauty in the Works of Witold Lutosławski and Andrzej Panufnik

Teresa Malecka, Word, Tone, Sacrum in the Music of Henryk Mikołaj Górecki in Terms of the Category of Logos

Regina Chłopicka, Theme of Death in Krzysztof Penderecki’s Music

Ewa Wójtowicz, Krzysztof Penderecki’s Sextet and String Quartet No. 3, “Pages from an Unwritten Diary”: Shaping Musical Narration According to the Principles of Structuring a Literary Text

Natalia Szwab, Deconstruction or Reconstruction? Paweł Szymański’s Surconventionalism

Renata Borowiecka, Rooting into the Music of the Past – Between “Datum” and “Novum.” On Intertextual Strategies in Paweł Łukaszewski’s Religious Work

Concepts & Diagnoses. Within the Framework of 20th & 21st Century Polish Music (II)

Krzysztof Droba, Polish Soviet Music

Joanna Wnuk-Nazarowa, The Figure of Satan in Paradise Lost

Krzysztof Cyran, Canon in Postmodernism: Towards a New Canon. Notes on the Latest Trends in Polish Religious Music

Marcin Strzelecki, The Question of Music Perception in the Writings of Witold Lutosławski

Kinga Kiwała, Sculpture and Architecture in the Music of “Stalowa Wola Generation” (Generation 51)

Ewa Czachorowska-Zygor, Sound in the Realm of Image. Selected Examples of Film Music by Adam Walaciński

Andrzej Mądro, The Other Side of the Border… The Young Kraków Jazz Scene

Ideas & Interpretations

Maciej Negrey, Freedom, Beethoven, Eroica

Anna Oberc, Friedrich Nietzsche, Richard Strauss: “Also sprach Zarathustra,” “Der Antichrist,” “Eine Alpensinfonie”

Magdalena Chrenkoff, Sienkiewiczian Motifs Resonating in Music

Iwona Sowińska-Fruhtrunk, “Erwartung” Op. 17 by Arnold Schoenberg as a Labyrinth of Sensations. Towards Internal Representation

Agnieszka Draus, Karlheinz Stockhausen’s Work: a Twentieth-Century Concept of the Music of the Spheres

Krzysztof Szwajgier, How Long is Cage’s 4’33”?

Kazimierz Płoskoń, The Figure of Christ in Arvo Pärt’s “Passio”

Face to Face with Philosophy, Aesthetics & Methodology

Leszek Polony, Time – Space – Music

Józef Rychlik, Spirituality and Technology

Małgorzata Pawłowska, The Presence of Great Modern Myths in Music: Faust, Romeo and Juliet, Don Juan

Ilona Iwańska, Cadential Mode and Alternating Mode, or Two Parallel Worlds of the Major-Minor Harmonic System

Maria Wilczek-Krupa, History and Theory of Film Music. Problems with Terminology

Roman Kowal, How I Succumbed to “Onglish”

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Biographical Notes

Index