TEORIA MUZYKI STUDIA INTERPRETACJE DOKUMENTACJE 2021 ROCZNIK X NR 18/19

Teoria Muzyki. Studia, Interpretacje, Dokumentacje

Kraków 2021, Rocznik X, Nr 18/19

Objętość: 204 strony, format B5, ISSN 2299-8454

Zawartość:

From the Chief Editor

From the Manager of the Project

STUDIES • INTERPRETATIONS

Małgorzata Janicka-Słysz, Structure and Expression. Logos and Ethos. On Polish and Lithuanian Music Before and After 1989. A Few Reflections

Iwona Sowińska-Fruhtrunk, Can Music Become Traumatized? Polish-Lithuanian Oppositional Networking and Search for Freedom During the Political Transformations of the 1980s

Teresa Malecka, The Phenomenon of Sacrum in Polish Music During the Cold War Era as a Means of Expressing the Aspiration for Independence. The inspiration of John Paul II

Paulina Nalivaikaitė, Popular Music in Lithuania in the 1990s: a Reflection of Wider Problems and Systemic Shifts

Vita Gruodytė, The 1990s and Fluxus in Lithuania

Andrzej Mądro, “Liquid Modernity” in Riverside’s Anno Domini High Definition

Jūratė Katinaitė, Peculiarities and Limitations of Opera Criticism During the Soviet Era: the Story of One Review and the Outpouring of Responses it Provoked in 1978

DOCUMENTATIONS

Chronicles

From the Life of the Krzysztof Penderecki Academy of Music in Kraków (prep. by Waldemar Cieślok)

Correspondence from Polish Academies of Music

Bydgoszcz (prep. by Aleksandra Kłaput-Wiśniewska)

Gdańsk (prep. Elżbieta Frołowicz)

Katowice (prep. by Marcin Trzęsiok)

Łódź (prep. by Małgorzata Grajter)

Poznań (prep. by Mikołaj Rykowski)

Wrocław (prep. by Anna Granat-Janki)

In the Previous Issues