BEETHOVEN 9 STUDIES AND INTERPRETATIONS

Beethoven 9 Studies and Interpretations

Redakcja/Herausgegeben von/Editor: Magdalena Chrenkoff

Kraków 2024, objętość/Umfang/number of pages: 412 stron/Seiten/pages, format: B5, ISBN 978-83-67055-24-6

Zawartość/Inhaltverzeichnis/Content:

2021 Beethoven and Penderecki. The Sphere of Sacrum

Małgorzata GRAJTER
“Zu heilig für den Schmerz.” Beethoven’s Elegischer Gesang Op. 118 and the Representation of Sacrum in Music

Helmut LOOS
The Religious Dimension of Beethoven Reception in the 19th Century

Nils Holger PETERSEN
Sacred Music after Mozart: Beethoven and Penderecki

Katarzyna SZYMAŃSKA-STUŁKA
Sacrum and Universum. Krzysztof Penderecki’s Kosmogonia and Generation ‘33

Michael HEINEMANN
Retranscendentalisation. On Penderecki’s Wymiary czasu i ciszy

Agnieszka DRAUS
Jerzy Nowosielski and Krzysztof Penderecki. The Experience of the Spirit of the Painter-Mystic and the Composer-Humanist

2022 Beethoven. Father of Great Symphonism

Susanne COX
Beethoven’s Early Sketches for the Ninth Symphony

Renata SKUPIN
Turcisisms in Beethoven’s Symphony No. 9? A Troubling Exoticness and Unconsummated Symbols

Helmut LOOS
The Somewhat Different Beethoven Picture of Ludwig Bischoff and His „Rheinische“ and „Niederrheinische Musik-Zeitung“

Daniel GOLIANEK
„Mehr Ausdruck der Empfindung als Malerei“? Pastoral Symphonies by Beethoven, Berlioz, and Mahler

Michael HEINEMANN
Nature Sounds. Beethoven’s 'Pastorale' and New Music

Teresa MALECKA
“Traditions May Come and Go. Beethoven will Always Remain.” Górecki’s Journey to Symphony No. 4 'Tansman Episodes'

Agnieszka DRAUS
Symphonic Music I and II, Plenitudo temporis and Ich und Du. The Periphery of Symphonism in Józef Rychlik’s Oeuvre

Marta SZOKA
“Symphonic” Organ Music. A Metaphor or a Separate Style?

Katarzyna SZYMAŃSKA-STUŁKA
A Symphonic Portrait of a “Disappeared.” A Symphony in Memory of Dominik Połoński by Ignacy Zalewski

2023 Beethoven. Between East and West

 Małgorzata JANICKA-SŁYSZ
 Between East and West. Beethoven and Post-Beethoven Reflections on an Imaginary Geography

 Joan GRIMALT
 A Hellenophile Beethoven. Analyzing and Performing The Creatures of Prometheus Op. 43

 Ewa SIEMDAJ
The “Speech of Sounds” in the Finale of Beethoven’s Quartet in E-flat Major Op. 127

Susanne COX
A Beethoven Sketchbook and its Journey from East to West or: How Beethoven’s Engelmann Sketchbook Found its Way to Johannes Brahms

Helmut LOOS
Socialist Beethoven Reception: Across Borders

Małgorzata GRAJTER
João Domingos Bomtempo: The “Portuguese Beethoven”?

Mariusz URBAN
Joseph Ignatz Schnabel (1767–1831): The Wrocław-Based Champion of Beethoven’s Music

Beata BOLESŁAWSKA-LEWANDOWSKA  
The Resonance of Beethoven’s Ninth Symphony in Works of Andrzej Panufnik, Krzysztof Meyer and Zygmunt Mycielski

Agnieszka DRAUS
The Topicality of Tragedy of East and West: Beethoven—Bartók—Rychlik

Anna NOWAK
Reflections on the Dramatic Concept of Ludwig van Beethoven’s Final Piano Concertos in the Concertos of Hanna Kulenty

Katarzyna SZYMAŃSKA-STUŁKA
Hosokawa and Beethoven. A Violin Concerto in Circular Space

Natalia SZWAB
Marcel Chyrzyński’s Ukiyo-e. Eastern Culture and Western Tradition

Symposia Documentation

Index of Names and Compositions